I think my own strengths are in television production.
Producing suits me because I have a business mind and a business sensibility.
I'm a true believer that unless you're Prince or Stevie Wonder - and even Prince is showing that he needs help - not everybody can produce themselves. I'm definitely not that person.
Rick Rubin was able to do things that Dave Fortman could never do. I'm not trying to take anything away from Dave Fortman as a producer. He's extremely talented. He wasn't able to get nine people together on the same page and, to me, that's the most important thing in making a Slipknot record.
Producing isn't my favourite bit about what I do, but the fact that I know how to do it gives me this sense of power in situations that are super male-dominated.
Having some decent musicians around you only expands what you can do production-wise, but I make rap - I can't really see myself doing much else.
I would love to work with Calvin Harris because I think he's a really good songwriter and producer and he does everything, which I like.
When it comes to the music, the traits you got to have in order to make lit music, club music, to have the swag with it, to have the lingo - I got those traits, you know what I mean?
I started by producing, and the rapping came second to that, because I wanted to fill out the beat.
Putting any show on television is a challenge. I've been very lucky to work with incredible showrunners on 'Smallville' and 'Lost' and 'Heroes.' I hope to bring a lot of those lessons to Marvel live television.
I know a lot of people who are very good at their craft who have learned - people behind the camera - who really have a lot to offer because they know what they're doing, they know what to do, they've made their mistakes.
There's no great technical expertise in being a movie producer.
With my years of promos & commercials, I actually have a massive amount of experience with regards to production. There pretty much isn't one thing I haven't tried at least once.
My beats are pretty s - - y, though. I don't know how they work.
There's a difference between a beatmaker and a producer.
I'm a horrible producer when it comes to me, but for other artists, I don't know what it is, but something happens, and I'm just really good at it.
I can produce a rock record; if you want me to produce a street record, I can do that as well.
As a producer, I probably am a little stronger than most, since I was a director originally.
I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.
I don't understand how other producers who have no experience making a musical jump in and produce one.
I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
The skills associated with knowledge creation are totally different from the skills associated with production.
When I wasn't working, I was learning how to use production software on YouTube and making music.
If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I feel like most people can learn it because production and the administration part is all about logic, and it's all about learning rules and budgets.
