Production Companies Quotes

I hate to say it as a pejorative term, but I work for the Hollywood system for the most part.

While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories.

I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.

It is so hard to get movies made in Hollywood that you got to have six going at once, and you know, probably none of those get made.

I hope when people see that female-led production companies are working, there will be more of us.

Films are a business. They take who's working.

From my years of work with so many game show production companies and their producers I'm probably no longer eligible to be a contestant on any American game show.

For the most part, Hollywood is very transactional. People want to make movies and television shows.

Honestly, I have got some movie offers. But, TV has given me a sense of stability.

What we need is more women writers, writing for older women. There are some actresses who have production companies and create their own material, and I truly admire that.

I have got lots of offers from networks for more reality shows.

My first three novels were all the subjects of intensely exciting flurries of calls from producers and even stars' production companies, and once someone actually hired a screenwriter to adapt one of my books - but it all came to nothing, so I tried not to get too excited when a Hollywood suitor came calling for 'Admission,' my fourth novel.

I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.

It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.

I think a lot of people think that just because you have a celebrity attached to your company, that all things are easy. I don't have a stat to back this up, but my experience has shown me that more often than not, celebrity production companies fail.

Lots of stand-up showcases on TV are made by production companies that also represent acts as clients, so there tends to be a demonstrable bias towards a certain group of people.

Coming from the industry and maintaining contacts with producers and directors, I am very well aware that costs associated with movie production are a major factor in determining where films get made.

Sometimes it's hard for me to tell the difference between independent filmmaking and studio filmmaking because all the studios have these little independent satellites. It's interesting.

I'll be starting two new production houses - Konidela Productions and White Horse Entertainments.

Over the years, many producers have come and gone, and screenplays were written and abandoned. It's the Hollywood process. It's hard to get things done.

A lot of our animation projects are co-productions with French production companies.

I realized that the studios didn't really understand their own system.

I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.