Prison Literature Quotes

I was in juvenile detention center, and I was in Rikers Island. And there was an anthology written by the inmates called 'The Pen,' and I - you know, I had a crush on a girl, and she left me when I was incarcerated. And I found this poem in this anthology that talked about having your heart broken and being incarcerated.

Prisoners around the world have said that reading 'The Count of Monte Cristo' helped them get through their ordeal. That's something to aspire to.

South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.

Poetry and prison have always been neighbors.

I get a lot of mail from boys in detention centers, including one from a center where they only had a few copies of my novel. They had a deal with each other that they'd read a couple of chapters and then slide it under the door to the next guy. I think that's very cool.

During the '80s I wrote Memoirs from the Women's Prison. This is one of my most important books. It came out in Arabic in '83. About my experience in prison.

'Fast Food Nation' isn't about my journey into the dark world of fast food and the prison book is not about my journey into the prison world. I'm not using myself as any kind of narrative link.

In the first batch of readers, back in the '60s and '70s, the criminal class was still literate, so I would get letters from people in prison; they thought that I was somebody whom they could shop-talk with, and they would tell me very funny stories. I got a lot of those. Guys who were going to wind up doing 10 to 15 for bank robbery, yes, were reading my books.

Many things embarrass me, but reading isn't one of them. I'm not ashamed of my slightly weird collection of prison memoirs. Nor the flaky meditation books. After all, I can pretend I never read those.

Christmas poem to a man in jail hello Bill Abbott: I appreciate your passing around my books in jail there, my poems and stories. if I can lighten the load for some of those guys with my books, fine. but literature, you know, is difficult for the average man to assimilate (and for the unaverage man too); I don't like most poetry, for example, so I write mine the way I like to read it.

Chopper Read attended a writing school I gave for inmates at Risdon Prison in Hobart many years ago. Even if I hadn't known about his hacked-off ears and his criminal history, I'd have found him powerful and compelling.

He wrote in prison, not a History of the World, like Raleigh, but an American book which I think will live longer than that. I do not know of such words, uttered under such circumstances, and so copiously withal, in Roman or English or any history.

Incarcerated individuals want what most people want in a novel: good, honest writing and a story well told.

The anti-apartheid prisoners on the island, like so many in every age and nation, found that Shakespeare had a peculiar ability to gentle their condition. They used to gather clandestinely to read the plays; on one occasion, the book was passed around for each man to mark his favourite lines.

When I was in the gulag I would sometimes even write on stone walls. I used to write on scraps of paper, then I memorised the contents and destroyed the scraps.

We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.