Primal Emotions Quotes

Men fear death as children fear to go in the dark; and as that natural fear in children is increased by tales, so is the other.

Fear is one of those really primal emotions which you don't want to have incredibly exciting modulations and complex harmonies and all that kind of stuff.

I love horror movies because they're really fun. They tap into those wonderful primal emotions.

Let him cry whoever feels like crying, for we were animals before we became reasoning beings, and the shedding of a tear, whether of forgiveness or of pity or of sheer delight at beauty, will do him a lot of good.

Technology has a lot to do with how the world is developing at the moment because there are very raw and pure and primal emotions that people are communicating to each other over the Internet.

When you want something enough, it brings out primal emotions. You get into this place of 'must happen, must happen.'

Is it not possible that the chimpanzees are responding to some feeling like awe? A feeling generated by the mystery of water; water that seems alive, always rushing past yet never going, always the same yet ever different. Was it perhaps similar feelings of awe that gave rise to the first animistic religions, the worship of the elements and the mysteries of nature over which there was no control? Only when our prehistoric ancestors developed language would it have been possible to discuss such internal feelings and create a shared religion.

There are four basic human needs; food, sleep, sex and revenge.

Sci-fi and horror, particularly, allow a storyteller to depart from, let's say, the demands of cinema verite or kitchen-sink realism or, even, just relatable dramas and can go into areas that are either - in the case of horror - more primally effective or, in the case of sci-fi, more speculative or imaginative.

When you connect to a primal idea - life, death, hunger, hope, fear - any of those primal ideas are going to translate, and I think that's the thing that I've always been attracted to in my work.

I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater.

It's a human desire to be scared. On some level, that's how we survived - that sense of fear and danger. Our lives are much safer, so we gravitate to those stories that makes us feel those things and learn lessons, even if it's just, 'What are you doing? Don't go in the basement!'

Every instinct that is found in any man is in all men. The strength of the emotion may not be so overpowering, the barriers against possession not so insurmountable, the urge to accomplish the desire less keen. With some, inhibitions and urges may be neutralized by other tendencies. But with every being the primal emotions are there. All men have an emotion to kill; when they strongly dislike some one they involuntarily wish he was dead. I have never killed any one, but I have read some obituary notices with great satisfaction.

I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

The great thing about fairy tales and myths is that they go beyond character. They're not about character. They're about more basic things. They're about basic fears or longings or desires or fantasies, and stuff like that.

There's something so universal about that sensation, the way running unites our two most primal impulses: fear and pleasure. We run when we're scared, we run when we're ecstatic, we run away from our problems and run around for a good time.

Hunger and fear are the only realities in dog life: an empty stomach makes a fierce dog.

Fear, love, and hunger were the agents that developed the wits of the lower animals, as they were, of course, the prime factors in developing the intelligence of man.

Whether it's via the monstrous or the paranormal, horror actually can really get at some of the most fundamental human questions.

That's the hardest part of acting: when it is ultra-personal, when it is deeply personal, and there's no lying involved. You can't fake it, you can't get by it. This is dealing with the most primal instincts and emotions that a mother can have.

All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.

There's a bit of testicle at the bottom of our most sublime feelings and our purest tenderness.