We've taken Japan's 'idol' music genre of pretty girls singing and dancing and added 'kawaii metal,' which is totally new.
I thought about going onto the first one, Pop Idol. My mum was saying, 'Go on!' But I decided not to. 'The X Factor,' though, doesn't really seem to be a show about musical talent anymore.
I'd love to be a pop idol. Of course, my groupies are now between 40 and 50.
My first real crush was... Louis Tomlinson.
You wouldn't find a Joni Mitchell on 'X Factor;' that's not the place. 'X Factor' is a specific thing for people that want to go through that process - it's a factory, you know, and it's owned and stitched-up by puppet masters.
Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.
It worries me that young singers think you can shortcut the training and go straight to fame and fortune, and programmes like Pop Idol have encouraged that.
I don't really have anything against Will Young or Gareth Gates.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
