I always say that I don't want to be sentimental, that the photographs shouldn't be sentimental, and yet, I am conscious of my sentimentality.
The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.
I have had passionate kisses and fierce ones, kisses so sweet they tasted like pure honey and kisses that cut like knives, but until this moment, I’ve never had one that said both hello and good-bye.
'The Tiger And The Snow' is a beautiful movie. I am in love with this idea.
It was, when I read it, I thought, such a beautiful script. I loved the story. I thought it was well handled. I thought it was even more moving because it was a true story and that made it even more poignant.
From Kelsey, I have learned among many other things the value of turning on a dime and how you can have an extremely funny and extremely poignant moment with absolutely no separation in between... and sometimes in the same moment.
That to me was the most poignant part of Diana's wedding; as she was walking up the aisle and her eyes were going left to right, looking at people and smiling in the way that Diana did - and that diamond tiara glittering like mad. It was great.
The movie feels to me like a real work of lovely art.
As the music played over the speakers and the waterfall in the pool filled the silence around us, I knew that without a doubt I had just been ruined.
