Performing Arts Education Quotes

I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.

I didn't go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.

I went to college and stage school, and thought about acting, but... I just don't like actors very much! They're not as fun as musicians.

I never applied to any acting schools. I don't know if that's just bad reporting, or - sometimes I just make stuff up.

Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her.

I coach young people. I have a group called BTP - Broadway Theatre Project.

She left for Juilliard the day after Labor Day. I drove her to the airport. She kissed me good-bye. She told me that she loved me more than life itself. Then she stepped through security. She never came back.

I was never educated to be an actor. I went to a regular college. It was a great thing for me because I feel that the main thing to get out of college is a thirst for knowledge. College should teach you how to be curious. Most people think that college is the end of education, but it isn't. The ceremony of giving you the diploma is called commencement. And that means you are fit to commence learning because you have learned hot to learn.

I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.

Performers should really go to the best schools, like Lady Gaga, you know, she went to NYU and had great teachers... It's best to really study your technique as much as you possibly can so you can have a long career instead of a quick one that's a failure.

My high school was the closest thing to hell on earth that exists. I was around a lot of ultra-preppy, very mean-spirited girls, and they were very cruel to me. I ended up switching schools and going to this performing arts school near Boston called Walnut Hill.

I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].

I dreamt of becoming a ballet dancer. I studied with the Royal Academy of London for 11 years, and that did not pan out, but my love for being on stage was born there. And then, I actually went to drama school in Paris, France. That's where it first started.

When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'

The basics of acting are really better in America than in Europe. Just the basic "fake laugh" is impossible to get in France.

Juilliard was four years, and I called it 'med school with guaranteed unemployment at the end.' And it ends: you're getting ready to go out and be an actor, and... nothing.

I avoided the party scene at the University of Miami. I came in to study musical theater, and I felt so behind. I literally knew nothing.

I was always in dance and performing arts school. All of my schools were performing arts. I'm the one that, like, turns up the whole party.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

I try to impart this when people say they want to be a writer and they want to go into show biz. I say, "Well, have you taken any courses? You can't just have a passion for it; you have to prepare yourself for a life of it."

I learned more at The Second City than I did at Yale for all that high tuition.

I always did workshops. I would be at theater camp, doing shows, or after-school programs.

I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.

Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.