It's tough when take 1 is technically okay and take 2 has better acting. Out here (Hollywood) they print the first one. That's the one where we all hit the mark on the floor and who cares about the acting.
I was always training for appearance rather than performance.
My priority will always be my performance more than anything associated with a film. I always look forward to give my best to the character I play on screen.
When we were in the studio working stuff out, and even when we were on stage, the music was a priority.
It's not that I don't care how I look, but I'd rather turn the attention to the music as much as possible.
The main thing about being captain is keeping your own performance good, and then everything else should fall into place off the back of that.
I know what I want, and the performance side is more important than ticking the money box.
We want the ability of the drivers to be the focus, not who has the latest gizmo.
I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story.
My motto is that the audience should notice the actors, not the clothes.
I miss my friends in public school, but it's kind of a part of something that you have to give up. I'd rather perform than go to public school.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
The form of computers has never been important, with speed and performance being the only things that mattered.
You need to get female talent which is good enough to compete at the right level because no team is going to compromise on on-track performance just to tick a gender box.
