We played by feel. We felt as though you could put us on any stage, and we would find a way to win that crowd over. We had that attitude: We can't fail. You might not like it right now, but you will.
We're always driven by our mindset and feeling on a particular show day, so you'll never know what you'll get until you see it happen in the ring.
I've always felt myself as being a serious singer.
Chicago is pretty much my favorite city to perform in. For some reason, people from the Chicago area have an amazing attitude.
An American orchestra doesn't want to play more than it has to. I respectfully disagree with that attitude.
I can look back now and say, 'Aw, that was a little dumb taking huge bumps onto concrete before a couple of hundred fans,' but if it wasn't for that attitude and that type of work ethic, I never would have gotten to WWE.
That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music.
My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.
No player in this league - they might be really, really good and they look like they're playing nonchalant, but they're not.
I love having a costume for The Vixen as getting into the look allows me to be a bit more snarky and snippy.
