I know that our bodies were made to thrive only in pure air, and the scenes in which pure air is found.
I think that marriage of music and picture is so vital, especially in a film that's almost exclusively exteriors.
There's a rule in Hollywood: stay away from water and stay away from snow, and I had both.
... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.
I loved shooting 'iGo to Japan' because we got to be outside a lot, and our call times were really late because we had so many night scenes. It was pouring rain, so the cast would huddle together in between takes and drink hot chocolate. Shooting that episode was such a great bonding experience.
I thought 'Game of Thrones' had this challenge in filming, and it's one of those things you think, 'It can't get worse than this,' because it's really cold, and you're in pain, and it's miserable.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
Look closely at the Japanese; they draw admirably and yet in them you will see life outdoors and in the sun without shadows.
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
