Organic Approach Quotes

Everything that we do I pretty much want to be organic, so if that happens, then that's okay with me. But I'm not interested in trying to re-create what once was. That doesn't interest me; it's boring.

If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.

I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.

I don't use machines - animals don't use machines.

If I get in the studio, it's very organic. I like to go off how I feel.

No computer, no gadget, no trickery. I am an animal, it is a plant. I will beat the weed!

Wisdom demands a new orientation of science and technology toward the organic, the gentle, the elegant and beautiful.

Social media is something I approach organically. It's all me! Sometimes I'll post four things in a few hours, but then I could go dark for a week.

I didn't get much time in between wrapping up 'Shakeela' and commence the shoot for 'Kaagaz.' With whatever time I had on my hands, I did my best to look the part. Instead of hitting the gym, I took up an organic approach to lose weight. I also cut down on oily and junk food and had small meals in between shoots.

I've never read a book or attended a class on screenwriting. I'm not opposed to the idea, but I like what I've got going on naturally and want to protect that. The one question I will ask myself as I'm re-reading a script for the 60th time is, 'Am I entertained? Still?' If the answer is 'yes,' I'll assume other people will be, too.

Think on your toes, use what's around you, and come up with something organic and fun.

If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.

My approach to recording and all that is pretty organic. It just has to do with all the songs I wrote; go in and record them.

I'm going for something very raw and organic.

Quentin is very organic; there was no way that he was going to put someone else's hand in there and anyway, my hands are kind of famous. It seemed right.

My process is really quite organic, and starting a painting is one of the best parts for me. I always start in quite a loose and free way. I often put down one ground colour to begin with and then play off that.

I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.

The world is not to be approached, blueprint in hand, as if it were so much raw material waiting to be fashioned to someone's design.

We all have such common ways to identify with each other, and I think when you approach music in that organic way, it's almost indescribable how it connects human to human and heart to heart.

I don't start with a color order, but find the colors as I go.

I don't like to do things for any other reason than it happens spontaneously or there's something that makes it happen naturally. I don't like putting down too many plans and trying to do a strategy to get a certain response or a certain effect.