Photographs will always be impressive because they show us nature, and all artists will find in them a world of sensations. The photographer must therefore intervene as little as possible, so as not to cause photography to lose the objective charm which it naturally possesses, notwithstanding its defects.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
I have thought it my duty to exhibit things as they are, not as they ought to be.
I think in fact that unless there is an organic link between the subjective impressions of the author and his objective representation of reality, he will not achieve even superficial credibility, let alone authenticity and inner truth.
Art will liberate itself from the needs and desires of men. No longer will we paint a forest ora horseas we like oras theyappear to us, but as they really are.
I try to capture reality, nothing else.
I want to be a reflection of what's going on and let people draw their own conclusions.
I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.
The photograph doesn't claim to be a participant, or to know, or to be a club member of whatever it's documenting - photography is more demanding when it doesn't pretend to know.
This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
The only problem in art is to achieve a balance between the subjective and the objective.
Realism: the wealth of detail guarantees the truth of the tale.
I wish to reproduce things as they are or as they would be even if I myself did not exist.
REALISM, n. The art of depicting nature as it is seem by toads. The charm suffusing a landscape painted by a mole, or a story written by a measuring-worm.
In documentaries, you're confronted with reality; you can not manipulate or move it.
To paint things as they are requires a minute attention, and employs the memory rather than the fancy.
