Novel Inspiration Quotes

My Italian-American heritage, of which I'm very proud and with which I identify strongly, surfaces in several of my novels.

My first novel, 'The Tiger's Daughter,' embodies the loneliness I felt but could not acknowledge, even to myself, as I negotiated the no man's land between the country of my past and the continent of my present.

I took inspiration from 'Fountainhead,' the way in which Ayn Rand conveyed her political philosophy through an immensely popular novel.

I read Mailer's Ancient Evenings with great interest because I was interested in . . . the seven souls structure, which was very helpful to me in Western Lands. And also in Place of Dead Roads. So that's Mailer.

My first novel, 'John Crow's Devil,' freed me up to write about the past, and 'The Book of Night Women' freed me up to have a book totally based on voice and being very spontaneous.

'The Book of Air and Shadows' was born during a conference with an intellectual property lawyer on a particular afternoon in November of 2003.

I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.

The most autobiographical thing I've ever written is my second novel, called 'An Ocean in Iowa.' That is pretty close to my childhood.

Last time I was in London, I visited Number 5, Bruton Street, which is the address I gave to Violet Bridgerton, the matriarch of the Bridgerton clan in my novels. It was a bit disconcerting to learn that it's actually a pub.

When I do a novel, I don't really use the script, I use the book; when I did Apocalypse Now, I used Heart of Darkness. Novels usually have so much rich material.

Nabokov began writing 'Lolita' before he ever knew of Florence 'Sally' Horner, an 11-year-old who was kidnapped from Camden, New Jersey, in the summer of 1948.

I'm a feminist, but I think that romance has been taken away a bit for my generation. I think what people connect with in novels is this idea of an overpowering, encompassing love - and it being more important and special than anything and everything else.

An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.

Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.

'The Mahabharata,' which inspired my novel 'Palace of Illusions,' also has many stories embedded within the main tale.

My first published novel was 'Mother of Demons,' which is simply 'The High Crusade' standing on its head. Poul Anderson placed his medieval human heroes in a futuristic alien setting; I placed my futuristic human heroes in a bronze age alien setting.

Proust, my big inspiration for 'Goon Squad,' uses music a lot in his novel, both in terms of plot and structure. I liked the idea of doing the same thing, which is one reason I structured 'Goon Squad' as a record album, with an A side and a B side, that's built around the contrasting sounds of the individual numbers in it.

While I was writing 'Stick Out Your Tongue' in Beijing, the police began knocking on my door again. As soon as I finished the book, I moved to Hong Kong so that I could work undisturbed on my next novel.

I'm a sucker for any band named after a work of literature. Los de Abajo take their name from Mariano Azuela's famous novel 'The Underdogs,' and that says a lot about who they are and the music they make.

I have never known a great deal about any of the historical figures I have written about until I actually started researching the book. If I knew a great deal about the person, I would not have been interested in writing the book.

We try to make our own BTS context. Maybe it's risky to bring some inspiration from novels from so long ago, but I think it paid off more. It comes through like a gift box for our fans. That's something you can't find easily from American artists.

Everyone deserves to be the hero of a novel.

When I started 'First Blood,' back in 1968, I was deeply influenced by Geoffrey Household's 'Rogue Male.'

I went through a phase in my 20s when I was overdosing on self-help books, so it was really refreshing to read 'The Alchemist' because it was a novel, but it still had the same wisdom, wasn't patronising and didn't tell you how you should live your life.

I worked in the book publishing business for nearly two decades before I turned my attention to writing, first with a couple ghostwriting projects, plus a crappy novel that absolutely no one wanted to publish. Then I moved to Luxembourg for my wife's job and found the inspiration for 'The Expats.'