The 'Station to Station' film is a fast-moving journey through the modern creative landscape. It's a kaleidoscope of voices and impressions rather than a standard linear film.
It does not say in the Bible that all laws of nature are expressible linearly!
Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
'Saw' is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... That's the way 'Saw' plays out.
The straight line cannot proceed through the torturous twists of life.
We [fiction writers] are much more of a maze than we are a motorway. Things are always in flux, they're always in movement, they're always twisting back on each other. I think the straight line is such a lie.
Life doesn't move in a linear fashion. Life makes lefts and rights, and it doubles back.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
I go back so far I'm in front of me.
I see the world in very fluid, contradictory, emerging, interconnected terms, and with that kind of circuitry I just don't feel the need to say what is going to happen or will not happen.
Think off-center.
He goes his way. We travel a spiral. The quickest way is sometimes the longest.
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
The line that describes the beautiful is elliptical. It has simplicity and constant change. It cannot be described by a compass, and it changes direction at every one of its points.
My life hasn't been conventional and it hasn't been linear. I've had to make it up as I've gone along, which has taught me a lot. If you don't accept the obvious options that are laid out for you, it's up to you to work out where you're going and to create your own specific rules and goals.
I don't think in terms of projects.
To me, the model of success is not linear. Success is completing the full circle of yourself.
My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. To do writing practice means to deal ultimately with your whole life.
It's a relationship like to a crusty Zen master, or something like that. And it is really like another entity because you cannot predict the answers.
I don't really make records chronologically.
Video games as a storytelling medium are, from a mathematical standpoint, a branching narrative. You start at one place, you can go in multiple different directions, and there's a multitude of different endings.
And I went through a lot of detours and I took a lot of roads and things so yes, that's all there, but it's not meant to be shocking or telltale.
You decide that you don't want to go backward. You want to go forward. But sometimes, going 'backward' isn't really going backward, it's actually moving forward.
There is no straight line to a dream.
