Nighttime Inspiration Quotes

Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them...

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.

I find I can get so much done between midnight and 4 a.m. Everything is quiet, no one is disturbing me, and if I go to bed then, I just lie awake thinking of ideas. They are very creative hours for me. One night a week I crash out, though.

If I wake up in the middle of the night and have an idea, I want to go to my computer and be able to do it. So I hired someone at Guitar Center to come over to my house and teach me Logic music program, and I learned it over a couple months.

I don't really start writing until later in the night. I'm a night owl.

It is at night that faith in light is admirable.

I go to bed late. My mind starts going at night - that's when those creative juices begin flowing.

'Two Voices,' from my album with Peter Schwalm, is an intact dream-poem. I awoke one night with an image of a piece of paper and all the words of the poem written on it, so I just blundered down to the kitchen table and 'copied it out.'

It is rather exciting to write by moonlight.

I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.

I prefer the night to the day and always stay up very late. Darkness is more peaceful, and I don't like sunshine - it hurts my eyes. When I used to live in more communal circumstances, I had to wait until everyone had gone to bed before I had the peace to write, and I still find I can get on with my writing much better at night.

I believe in working with your morning brain - you have your coffee, and then maybe you'll start thinking about the grand plan and what's going to happen in the next arc, and then you write for a while, and then you get really dreamy, and over the course of the day or in the middle of the night, something comes, and you just throw it in!

For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.

My mind starts to work creatively past 10 P.M. or 11 P.M. - all of a sudden there's silence and my head starts going.

Now I have other demands on my time that are not flexible, I just can't wander into the studio at 2 A.M. like I used to. If I have an idea in the middle of the night, I will go and get the bare bones down, but mostly you can learn to tame it to your needs.

Metaphorically speaking, of course, if I put a problem behind my pillow and fall asleep, very often because my brain went to sleep with that idea or the problem alive, very often in the middle of the night I wake up, and I wake up with a solution or with a direction of solution.

Anything seems possible at night when the rest of the world has gone to sleep.

I like to call it nighttime brain: the way your mind seems to function on a different frequency than it does during daylight hours - which can be good or bad but also can lead to unexpected epiphanies or experiences that wouldn't be the same at any other time of day.

I'm a bat. All my greatest, creative ideas come at night. So I hardly ever sleep.

I actually prefer night shoots to days. I prefer being up. It's easier for me. I'm more of a night person.

I am a late starter. I like to go on into the night when it's quiet and everything has shut down. I find that's where music and minds open in the dark.

And going into my studio at night, particularly at night when everybody's asleep, is just a total pleasure for me.

At night I can write for hours.

in the street of the sky night walks scattering poems

Most of my thinking is done at night.