The one function that TV news performs very well is that when there is no news we give it to you with the same emphasis as if it were.
The old newspaper adage, 'If it bleeds, it leads,' is as true today as it was a century ago.
I feel like people have more in common than the news reports. People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain. I'd have to spend an hour on it to get people to understand what I'm saying because it's so instantly polarizing. Because cable news has kind of set up a construct where you're for or against something immediately. So if I said something about it, people would be for or against me immediately. And I don't want that.
For anyone in the news business, just the name 'Cronkite' conjures up images of a bygone era when journalists covered, and could at times impact, the most important stories of the day, rather than the most 'compelling' or salacious.
I am not anti-media at all. But the media, the news anywhere in the world, is based on drama.
Journalism is straying into entertainment. The lines between serious news segments, news entertainment, and news comedy are blurring.
The more boring a newspaper is, the more it is respected. The most respected newspaper in the United States is The New York Times, which has thousands of reporters constantly producing enormous front-page stories about bauxite...The [New York] Post would write about bauxite only if famous celebrites were arrested for snorting it in an exclusive Manhattan nightclub.
We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.
The best newspapermen I know are those most thrilled by the daily pump of city room excitements; they long fondly for a good murder; they pray that assassinations, wars, catastrophes break on their editions.
It doesn't matter if I go on CBS, PBS or Fox. Whoever is interviewing me is going to want to create some conflict in the story, or it's not interesting. That's just the way the news is.
I hate to see the way journalism is devalued: We have to feed the machine; we have to feed the Trump outrage machine, to feed the anger against Trump, to feed the New York liberal anger.
Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.
