I don't want to carry a network show. I don't want to give up 10 months, working 17 hours a day, up at five in the morning.
I haven't spoken to Oprah herself. She had so much going on, since her network show was wrapping up at the time we were shooting. I can't fault her for that.
I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
I happen to like dark, and I like the fact that 'Arrow' is a pretty dark show, particularly for a network show.
I don't mean this grandly, but it was never my intention to live in L.A. and do a big network show.
When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.
I think when you're on a network show, it's crazy how different it is... just being on a network show that reaches that many people. It's not like I'm very famous, but seemingly overnight, I would get recognized more, and it was really weird.
Obviously, in this day and age, with the TV shows, there are some really interesting ones. I'm not that interested in going and doing a network show, but like everybody else, trying to find something good.
You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.
For the working actor, there's nothing more stable than a network television show.
'Cinnamon Girl' is a game changer for our network and is exactly the type of show we want to deliver.
The territory has changed, and a lot of really good actors want to do cable series, but they don't necessarily want to do network TV and make the commitment of 22 episodes or whatever. They find that the liberties and the creative freedoms that you get in cable is more interesting to them than the censorship of a network show.
If you're on a network show, it's either some wacky sitcom or a drama where you're servicing a procedure.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
My deepest fear about doing TV, especially about doing a network comedy, was what if it felt too surface-y? What if it felt too jokey?
I'm not that interested in going and doing a network show but, like everybody else, trying to find something good.
Babe and I are both great television fans, and we've been planning to do something on TV. But we certainly never intended to start out on an unrehearsed network show!
It's the one thing, a compromise I guess. On network it's the one thing you can't smoke on network. That's one of his character traits. We're working around that. We're trying to get aspects of it in there as much as possible. We'll see.
