'30 for 30s' are amazing. They're little documentaries and can be anywhere from half an hour to an hour-and-a-half - great sports stories.
It's wonderful to do these great blockbusters and bigger pictures, but my heart is always with true stories.
My first narrative films developed out of a documentary process - finding someone who was willing to be filmed, watching, listening, taking copious notes and many hours of video footage.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
I'm a slave to my imagination in terms of making narrative films.
Most of my films have been documentaries, but I'm also very interested in narrative filmmaking.
The problem with a lot of narrative films is that they're not real enough.
Sarah Polley's 'Stories We Tell,' James Ponsoldt's 'The Spectacular Now,' Destin Daniel Cretton's 'Short Term 12' - these are really important movies.
