Musical Transition Quotes

Similarly you can make a transition from one set of instruments to another imperceptibly.

I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.

I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

I did country way back when I was, like, 13-14 years old, and then I kind of fell into the pop genre.

If you're an impressionistic painter and you want to paint expressionism, you've got to change. You've got to figure out a way to do it and do it. If you've been playing jazz all your life and you want to start to play rock n' roll, blues, then do it.

We came out right in the middle of the hard-rock period... it was hard-rock everywhere! But we were ready to make our music, you know?And it was such a turn around, I guess it caught people by surprise.

'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces.

I feel like Nashville has really embraced me with open arms. I was a little worried at first; you know, everybody knows about my immediate past, which is rock music. But everyone is coming to find out that I've been singing country music my whole life.

I still love the music and it's still plays a part in what I do but I never 'turned my back' on garage. I was always doing R&B with, say, Walking Away. It's wonderful that I was classed as the king of 2-step and a pioneer, but it's had its turn, I think.

It was always meant to ease out of a big radio song and flow into the next one. Don't is the bridge song in between Sing and Thinking Out Loud.

Country music was a part of my life. Now it isn't. We had a good relationship, really, but we wanted each other at arm's length. The people in Nashville didn't want to be responsible for my looks or my actions. But they sure did like the listeners I brought.

I did rap when I was a teenager - started rapping when I was nine, and started singing when I was 20. I kinda sing like a rapper would sing.

I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.

I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.

I was doing musical theatre 'til I was, like, 17, and then I started realising I could use my voice in a more, like, current way.

I feel like our whole discography up through 'Hail to the King' was young, fun, and exciting. It was aggressively driven. 'The Stage' was the first step in the band becoming a more mature musical entity.

I'm so used to knowing what to do with an electric guitar and amplifier, but with an acoustic guitar, it's different, but I still have an amp and a whole bunch of pedals.

For me, it was pretty hard to go into the studio and sing English for the first time, because I always sung in German, and we've been making music for seven years and it's always been in German.

I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.

Music is the thousandth of a millisecond between one note and another; how you get from one to the other-that's where the music is.

When the fad changed from folk to rock, they didn't take along any good writers.

As a youngster in the little orphanage home in New Orleans, I was the bugler of the institution. When I got to be around 13 or 14 years old, they took me off the bugle and put me in the little brass band.

I like to think about stringing songs together like a string of pearls, or a string of beads, but ultimately it has to be stuff that really works with the band, and gives a spin to the older material.

I've wanted to not play as much. I would like to just sing now. Even though I don't think I'm a great singer, I wouldn't mind just - not being a frontman, per se, but singing and not playing.

So when I went to Arista, I had a period of writing where I suddenly was unrestricted. I wasn't writing for a band for the first time. It opened up a whole other arena for me to work within.