Musical Subtlety Quotes

I've come to realize ways of making music without being excessive.

Real music will make you more and more refined. It will become more and more silent. In fact, real music will help you to listen to silence, where all notes disappear, where only gaps remain. One note comes, disappears, and another has not come, and there is a gap. In that gap meditation flows in you.

The essence of Bonham is what he didn't play rather than what he did play - what he left out.

Billie Holiday, Aretha Franklin. Now, they are so subtle, they can milk you with two notes. They can make you feel like they told you the whole universe. But I don't know that yet. All I got now is strength. Maybe if I keep singing, maybe I'll get it.

I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?

My policy is not how fast you play, it's not how much you play but it's what you play and where you play it ... play for the commercial side of the music ... the word I still use today is called "simplicity" .. it is so important that you use simplicity in your playing and in your music.

There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.

I don't think I handle the notes much differently from other pianists. But the pauses between the notes - ah, there is where the artistry lies!!

I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.

I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.

I like songs with a lot of heart and feeling and subtlety.

Ambient music must be as ignorable as it is interesting.

The guitar shouldn't be a main instrument, it should be a texture. It shouldn't be important whether it's there or not. If it's important to you whether a guitar is there or not, you're weird.

I'm a huge fan of not overemphasising with music.

That's where I think a lot of these guys today are just, 'I'm the drummer, man. Check it out. Here's my lick. I just learned this new drum lick. I'm just gonna blast all over the place.' It's like, 'Man, you've got to let the song breathe.'

New Orleans cats don't play a lot of solos unless they got something to say. It's not an ego thing like it is with some other musicians. You say what you gotta say and then shut up.

I like referring to the saxophone and having a guitar lick instead. Same with the cymbals; having the cymbals and not playing cymbals.

In terms of political things, I think it's important to be more direct in terms of political statements. I think in terms of philosophical and things that you plant things and see them grow lyrically or musically, it's okay to be subtle.

What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.

I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.