musical skill development Quotes

Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder.

Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do. It's not about being perfect, it's not about sounding absolutely correct, it's not about what goes on in a computer. It's about what goes on in here [your heart] and what goes on in here [your head].

A computer is like a violin. You can imagine a novice trying first a phonograph and then a violin. The latter, he says, sounds terrible. That is the argument we have heard from our humanists and most of our computer scientists. Computer programs are good, they say, for particular purposes, but they aren’t flexible. Neither is a violin, or a typewriter, until you learn how to use it.

Of course, I continue to play and to practice. I think I would do so if I lived for another hundred years.

My advice for young people is that, if you want to be a musician, the thing to do is practice eight hours a day.

I used to listen a lot to Rolling Stones records and play along with them when I was first starting. It's a good way to learn, jamming around basic music.

When you wanna rock hard, children, lean on F#.

Learn to play the piano, man, and then you can figure out crazy solos of your own.

To play the trumpet well, a musician can not let more than a few days pass without practicing.

I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.

You're on the stage and you've got all those people yelling at you, so you better be right in the moment, reacting to that. It's completely live and organic. Even 20 years later, it's the same thing. You may be even better on your instrument. Hopefully, you are.

Unfortunately, I never played an instrument. I can't blame my parents, but I wish I had had music lessons. It's odd because I think I have a good sense of rhythm, as they say in some fields. But I don't know anything about music.

Guitar playing is very important to me. It's like golf to some other people; it's important to me that I play good.

I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.

I had been practicing guitar about six months beforehand; I concentrated mostly on the songs I had to play. I got those down pretty well so they could use me actually playing.

I was being musically mentored by a lot of people who were obviously more talented and skilled than I was, and I thought that I would just kind of learn the ropes of songwriting there - like how to do acoustic, country-esque songs, which I like because there's so much story in them.

If the average jazz artist uses his head and at the outset of his career realizes he won't play as well at fifty as he does at twenty-five, he won't be in a line-up outside the Salvation Army when he's fifty.