Musical Process Quotes

I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.

Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them...

I don't have to be working on an album to record a song.

There is no way I'll ever write an album for Avril Lavigne or Christina Aguilera. I just couldn't do it. There is no way I could ever do it because my musical process is about being directly involved with whatever I'm going through in life.

I don't really like to think too far ahead when it comes to the music.

When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.

Writing songs always trumps whatever else was on the schedule, it really is the most important and can be so fickle, you have to grab it when it's there.

Writing is a grueling process for us, and once we finish an album, we go on tour for a couple of years. Plus, we're always very involved in our own business, so we need a break when we come back.

I write all year, and at the end of the year I put an album out. And if sucks, it sucks, and if it's good, it's good. I just let it lay where it lays. It doesn't stop from doing another one next year.

Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.

Being honest and spontaneous is important when making music. But I'm also really logical when I compose.

People say, "You should write lyrics" and I say I'm quite happy not to, because I like being part of that process where you write your version of what someone else's lyrics are saying to you, and that enjoyment has never changed.

I've written songs on everything. Menus. Napkins. Little pieces of paper.

What's cool about making music is when you create a record, it comes from somewhere.

I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.

It's true when they say songwriting is 10% inspiration and 90% perspiration. In truth, what happens is... songs comes through you.

Once I finish one album I know where to begin again.

I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.

I don't try to go to the studio and make a single. I just do whatever I feel.

Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. This special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.

I find it hard to write with writers sometimes because of their way of writing. Some are heavily focused on structure, but I have more of a 'Let's go with it' mindset. I like to be creative, and when I hear something that inspires me, I'll come up with a melody, a lyric to that melody, and take it from there. I try to keep it open.

The whole idea of doing an album is overwhelming sometimes. But, I get inspired when I get inspired and that's when it flows easily.

It's a shame that jazz is now being turned into dried fruit. It's becoming quantized, diced and defined. It's becoming an idiom. To me if it's anything, jazz is a verb ? it's more like a process than it is a thing.

I consider my job [being a musician] is to have a little idea and nurture it and put it in some form that everybody else can understand and then sort of pass it on. It's really a passing through. In other words, you receive and you transmit.

Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.