Musical Equipment Quotes

My first really good guitar was a Gibson J-45.

For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.

I've never considered musical equipment very sacred.

Being a musician since I was a teen, Guitar Center is the staple. You need anything to create, it's there. You need a Guitar Center. You gotta give it homage. It's a tool shed, and without the tool shed, it's hard to create.

I don't know what I did to my main bass. I've poured makeup into it, I've bashed it around - and we've gone in the back and cleaned it up... It sounds amazing and one of a kind at this point, but it picks up a really decent radio signal if you're anywhere near an antenna.

You can be in the band, you can go buy your own guitar strings at Guitar Center, you can go and do everything the boys can do and you're not the oddity anymore.

If I wasn't so lazy, or if I had a roadie, I'd have a line of guitars on stage. I'd have a lap steel and a nylon string up there, but who wants to keep up with all that?

Music has generally involved a lot of awkward contraptions, a certain amount of heavy lifting.

That first bass I had was an Eko, a very old thing with a thin neck, I had that for quite a while.

I like the idea of having an old Gibson [guitar], but I don't have one. The Gibson has a different quality, but it's almost like you need both.

What a young musician's dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I'll have those." It was one of those unparalleled exciting days of your life.

Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again.

My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I own a guitar, a piano, a bass.

In early '57, I bought a Fender Telecaster.

I've got a EC3-35 Gibson, which is pretty cherished. I've got a vintage Reichenbacker 330 in fireglow, which is the other one I look after and don't let the kids touch.

I always use my Les Paul. I have a Hamer as well. I use a Tele and an Esquire - once in a while, I will use a Strat, and I never use any pedals... except for in my car.

I think we raised about 20,000 pounds. There was a live performance thing so we thought we'd donate the equipment for an online charity in Britain. I hated to part with my guitar, but it was for such a great cause.

Most studios in Memphis had a house set of drums; the drummers just brought their own sticks.

Guitar Center hooks me up on a lot of stuff.

When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.

I guess you'd say I'm a gearhead. It's not just guitars; I have five or six drum sets, a bunch of keyboards... It's like Guitar Center exploded, and all the cool stuff dropped in my backyard. I'm a really lucky guy, I have to admit.

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

I've always been fascinated with sound, since I was a little kid when my mother Dorothy Dean took me to my first piano lesson. Later on, my guitar, bass guitar, and synthesizer were my secret weapons.