I probably owe as much to Jeff Beck as I do to Son House with connections to the blues.
I'm sort of standing on T-Bone Walker's shoulders, Les Paul's shoulders, Lightnin' Hopkins' shoulders, Muddy Waters' shoulders, you know? And if I've inspired other people, I'm pleased. That pleases me greatly.
If it weren't for the Beatles, I would not be a musician.
Foster the People wouldn't exist without Mophonics.
I definitely respect the men and women who came before me and how much those people gave to me musically.
Tons of people inspire my music, and now when I do an interview, I'm scared to say who they are. I'm scared to give gratitude to the people that, if I hadn't heard their stuff, I wouldn't be able to make music.
U2 are a great band; they've given us an unbelievable body of work, and all of us musicians owe them at least something. I can honestly say that every time I have played the Red Rocks Amphitheatre in Colorado, as soon as my drums are set up, I go into the beat of 'Sunday Bloody Sunday.'
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
