Music Response Quotes

There's an innate feeling when I choreograph in juxtaposition to how I feel as a dancer. When I choreograph, I never really look into the mirror. But as dancers, we always check ourselves in the mirror. I do feel that when I choreograph, I am making a dance on my own body. Much of it is my own response to the music.

If you respond to pop music as an older person, then it's your game. But this business has a tremendously visual focus.

I think you can move to everything, but with some music, you just want to sit still. That's me, anyway.

It's an incredible experience to interact with fans in first person, get immediate responses to your music and see the madness that your music creates.

We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.

It always helps me connect with characters, to think about what music they respond to.

I think all kids are creative, so I wouldn't say my kids are geniuses. But they immediately respond to music. And they've got great rhythm!

Sam Phillips responded most to a song of mine called, "Hey Porter," which was on the first record.

When I hear music, my body just starts to move. It has nothing to do with training or anything. That's just me. That's just my body. And I was like that as a child, too.

I would write songs, inspired by my baby, but then I could tell that my baby was also responding to the music. It was just kind of an amazing musical experience.

Happy music doesn't tend to move me much.

I certainly think that my music is a response to my experience as a person who doesn't identify as straight, as a person who grew up American.

But I did go to music really early on, even when I was 4 or 5, I was responding to music probably in ways other kids were not.

I hear music and my feet just start moving.

When we put music on, he kind of kicks in the belly, and it's cool to see how he's not even born yet, but he's already responding to the music. When I talk to him, he kicks as well. It's a very deep connection that I have with my son already and he's not even born. So I'm loving it.

I really like the melody "Red Wine Is Good For My Heart" and people respond to it. I decided to put it on the album.

When you listen to a song, it should make you sit up and wonder, 'Hey, what is this!' or give you an inexplicable feeling of joy or relate beautifully to the music in you.

Crowds respond to anthemic choruses.

People respond to something melodic.

Kids do their own thing. We let them be real kids. You get an immediate response - if they don't like the music, they don't do it.

I think my main two songs are 'FWU' and 'Get Away.' 'FWU' made a cool point because it came out right after Chris Brown's 'Loyal' came out. I combated it with 'FWU,' a song that basically says, 'These women are loyal.'

Places like Belgium and the south of France, Sweden and Copenhagen are really alive. They really love rock 'n' roll, they really respond.

Immediately after the Floyd experience, I became a pop record producer.

It really shocked me just to hear of the fans' response to 'St. Anger' not having guitar solos.