Steve Aoki is somebody I really love, and he did a remix of 'Mi Gente,' too.
The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.
I like mash-ups, taking contemporary songs and making them old... old songs, making them new.
Puffy's contribution to hip-hop culture was the remix. He offered us the music that his mom played in front of him, with newer drums and younger artists. That worked, and will consistently be there. The remix comes right after the original record, that's something Puffy did to influence the culture.
Do you believe in Madonna? Because Lady Gaga has got something to say about 'Express Yourself,' and she's turned Madonna's fourth-best single of 1989 into her own instant-classic club anthem, 'Born This Way.'
'Despacito' is phenomenal; you can't really chase that type of success. I'm a huge fan of the record, the original, and then when the remix came out, I said, 'Oh my God, it just got greater!'
Basically, a lot of people have asked to jump on 'Shutdown' remix, I'm not gonna front. But 'cause of quality control, we wanted to make it really big: it's all about spreading the British sound and culture.
A different drumbeat or some vocal overdub could completely transform the song.
I would love to do a collaboration with Lil' Wayne. I would have loved to sing on his song, 'How To Love.' I wanted to do the remix to that song really bad.
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.
I had done a cover of the song 'Nenani Neevani' and put it up on Sound Cloud, which Sunny M.R., the music composer of Rowdy Fellow, came across. He liked it and approached me for 'Yedho.'
My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
'You Talk' was originally a copy of a certain Velvet Underground song.
I'm not going to lie; I'm not a huge remix person.
