Multimedia Experience Quotes

I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

The iPad is a superior consumption device for material on the Web.

Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it.

I want to make music three-dimensional. I want to make a song also a painting, and a painting also a culinary experience.

For me, it shouldn't just be a live show: it should be an experience. It should be some kind of crazy, tribal, exhausting experience.

There's so many things about Babymetal you cannot just grasp with the sound. The visual has to compliment the sound, the costumes have to compliment the sound.

Writing 'Book 1: The Maze of Bones' didn't feel much different than writing one of my other novels, but I thought it was very innovative to offer the website and trading card components as well for those readers who wanted to go more in depth with the Cahill experience.

Music and video games go hand in hand.

I've taken the experiences that I've had in the theatre and applied them to film and television and now games.

We founded RocketJump for two reasons: to provide quality entertainment and to reach as many different audiences as possible.

Whether one likes it or not, the screen is a profoundly important source of imagery and storytelling for this generation. For me, books remain a stunning place to tell stories, but the screen has a place.

What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more.

I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.

I've been in a multimedia extravaganza for 50 years and it's gone by so quickly that it's unimaginable. And it's also a major part of my life that has gone by.

I'm really pleased to share the 'Station to Station' film. It has a very unorthodox structure; it's made up of separate one-minute films. So you watch this piece that is like time moving. Everything is democratised, whether it's a minute of Patti Smith or a single landscape with a drone, it's this amazing modern kaleidoscope.

As writers, we do our best to conjure a world so vivid that the reader can practically walk through it - but we're still only using words and relying on readers to do a lot of work of imagining. Providing pictures as well as words offers a whole new dimension to the experience of consuming a story.

That is the thing I'm most grateful for in this industry to be able to spin in those different mediums, with television, film and the stage - at this stage of the game.

The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.

Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetson who's flying around space. If I'm a kid, I wanna be kicking it with Elroy.

There is a great correlation between music and images.

The concept and vision of 'Electronic Nature' is to give my fans a fully immersive sensory experience of music, visuals and more.

While technology efficiently delivers news stories to our desktops, laptops and mobile devices, magazines are all about context - how ideas and images are presented in relation to one another and within a larger point of view.

There's something about that relationship between actor and audience. Whether you get it on Broadway or in a fine local playhouse, there's no greater drug. Every time I get to do TV, film and a play in the same year, it's my dream come true.

Motion comics take the underlying physical book material and enhance or modify it slightly enough to make it unique and, we think, best-suited for a digital environment.

I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.