I want to make films that cater to the world audiences.
When I make an American movie it's going to come out all over the world-it doesn't happen the same way for an Italian film or a French film.
I like watching films that can play in any language because they're essentially silent.
I have done Tamil, Telugu, and Hindi movies, and each actor that I've worked with is different from the other.
In general, I almost always watch foreign films.
Today's cinema is a global art form, it is impossible to make movies for a market the size of France, representing no more than 4% of the world's total.
I've done a host of Tamil and Telugu films, a Bengali one, too.
Good cinema has no regional or linguistic boundaries.
My films have become bilingual. When everyone saw 'Chennai Express,' they said it was a bilingual. But I am proud that 'Chennai Express' is the highest-grossing Hindi film down South.
I am busy with other language films apart from Sandalwood.
