Multifaceted Role Quotes

A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.

Being a tight end, you have to be able to do everything. You have to be able to run routes; you have to be able to block, pass-protect, and run with the ball after a catch. So, that's how I attack my workouts - focusing on doing everything.

Teaching sometimes seems like not one profession, but every profession. We ask them to be doctor and diplomat, calf-herder, map-maker, wizard and watchman, electricians of the mind.

I have to be flexible in my role, batting and bowling.

[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.

[Describing her role:] It's like running a big corporation and a little country at the same time.

I love the incredible variety of demands directing makes on you, from the entrepreneur to the hustler to the deal-maker to the writer; to directing actors and the camera and working with music, sound, marketing and promotion. It uses so many sides of your brain.

It's a really unique job that is a little schizophrenic and you have to kind of do it with a sense of humor.The trick is figuring out what each job is asking of you and what it's not asking of you.

I'm so glad I didn't become a doctor, because I do more than any doctor can do. I am an administrator, a CEO, doctor, psychiatrist, an activist, a campaign funder. I think I did well.

I want to do a little bit of everything. I want to play a good, strong female character.

Not just part of us becomes a teacher. It engages the whole self - the woman or man, wife or husband, mother or father, the lover, scholar or artist in you as well as the teacher earning money.

It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.

My kind of director is an actor-director who writes.

I consider myself more of a hybrid player than just a fullback.

I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.

I didn't want to just be an analyst for women's basketball and volleyball. I didn't just want to be a sideline reporter. I didn't just want to be a host. I wanted to be someone that my producers or coordinating producers could call on me for any event, any subject matter or any role.

My job involves a lot of different skills now - I'm as much entrepreneur and management consultant as anything else these days - but IA is still my favorite part of the work I do.

I think, as an artist, I wear a lot of different hats, and people have to join all of the dots.

In the high school classroom you are a drill sergent, a rabbi, a shoulder to cry on, a disciplinarian, a singer, a low-level scholar, a clerk, a referee, a clown, a counselor, a dress-code enforcer, a conductor, an apologist, a philosopher, a collaborator, a tap dancer, a politician, a therapist, a fool, a traffic cop, a priest, a mother-father-brother-sister-uncle-aunt, a bookeeper, a critic, a psychologist, the last straw.