I remember my sisters, they loved a movie called 'The Naked Island.' And the flute was actually playing the main theme. A Japanese movie. A beautiful movie from 1961. I remember hearing this music with a flute many, many times a day at home.
One thing that's thematically consistent in 'Sin City' is that all the performances seem to be of the same genre, like we're singing the same song.
'Cloud Atlas' is for everybody. The main character in the movie is humanity.
Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly.
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song.
'Raaga' is one of those movies which is very special for any music director to compose music for.
The Wood was about young people and the other one is more of a grown up movie.
I want 'Dawn' to play like a cowboys and Indians movie.
I don't think any movie I would do would be too serious or serious at all.
Well, it's funny because, "The Green Leaves of Summer" and "The Alamo" theme are the same thing. There's just - the Brothers Four was a different recording of it.
'Love Aaj Kal' is not really a road movie, but it does involve some travel.
I had written the song 'aaza aaza Shamiyane ke tale... ' for Ghai's film 'Yuvvraj' but he felt the song did not suit his film and Rahman suggested that the track should be used in 'Slumdog' and it fitted well with the movie.
Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
Anders Thomas Jensen and I had talked about making a movie which addressed the cancer issue, and we didn't want to make it heavy-handed. We wanted to do something which had a lot of hope in it. And then for some reason we came up with a romantic comedy.
The whole film is about people being convinced that they can reduce themselves to their archetypes.
I love 'Child's Play 2!' I love Don Mancini. That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant studio horror movie - but I liked the script, and I thought that was such an important theme because I don't think adults listen to children enough.
The song 'Tyler Durden' is about the movie 'Fight Club,' so obviously, it's not a personal experience, but I love that song. It's my favorite song.
The action comedy 'Pirates of the Caribbean: Curse of the Black Pearl' raises one of the most overlooked and important cinematic questions of our time: Can a movie maintain the dramatic integrity of a theme park ride?
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
I have making a new film called Story of Your Life, directed by Denis Villeneuve, with Amy Adams and Jeremy Renner and Forest Whitaker. Which is about aliens coming to the earth and observing us and us trying to find a way to communicate with them.
I'm a melody guy. To me, that's a musical souvenir people take from a movie. They remember a theme or a feeling, and if they've had a good or bad experience it evokes that sensation whenever they hear it again.
I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
In Kannada cinema, the introduction song for the hero is normally, as we call it, a massy commercial number.
'Pink,' which is set in Delhi, is not women-centric but a youth film.
