Movie Perception Quotes

I'm sure part of the baggage that I bring having played a lot of villains is also pertinent to the movie [Before I Go To Sleep], because I'm sure people look at me and think, "Oh, I'm not sure I trust him or not."

I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.

My fear in converting it to 3-D is that people will say, 'Oh, it's the 3-D 'Clash of the Titans.' No, it's 'Clash of the Titans,' the movie, and then, on top of that, you have the 3-D conversion. The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version.

Whenever I hear someone describe something as a 'kids movie' or a 'family movie,' it immediately has a negative connotation in my mind because I think, 'Well, as an adult, I wouldn't go see it by myself, because it's purely for children and it holds nothing for me and it's simplistic and it's kind of easy.'

Indian audience has a mindset that a movie which does well at film festivals will necessarily be slow and boring.

It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch a film, let's say The Terminator or whatever.

I have kind of a funny relationship with movies. I don't have to see the whole movie to get an impression of it or to let it have an influence on me.

In the past, the movies I've made are perceived as dark, but a lot of comedies are way darker.

I always feel that there's no violence in a movie - it's not real, it's a magic trick. Nobody is really dying. In fact, the people that die in my movies have gone on to become extremely successful!

I was able to read a movie before I was able to read a book.

The movies I've made, I'm really proud of them. But the experience I've had is, people say to me, 'Oh my God, I saw your movie on HBO. It was actually funny.' Like, that's always the experience. It's a backhanded compliment.

People say that my movies are violent. I do not think so.

There are no “old” movies-only movies you have already seen and ones you haven't.

Marketing does have a lot to do with the success of a film. But even more so, and especially since home video, I've learned that a movie has a life of its own. A movie goes out there, and it exists, and it continues. I'm always fascinated by what movie people bring up when they approach me.

Somehow, Hindi movies never took me in the same way Hollywood films did. Even at the age of five or six, I could see the difference in the quality of execution.

I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece.

Most of us do not consciously look at movies.

Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.

My perception of making a movie before I started making movies was that it would be like 'Spy Kids'.

I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.

To me Psycho was a big comedy. Had to be.

The fact that I'd never really seen myself on screen allowed for a blissful ignorance. It didn't feel like a movie. I didn't have that self-consciousness. It was a game that I was playing.

I was looking for people who didn't have any preconceptions about films, what I call the "post-rules" generation.

If you believe that movies are alive and talking back to you, there's a point at which it's very obvious they're not finished.