I have a huge editor in my head who's always making me miserable. But sometimes, I try to let my unconscious act out.
The conscious mind is the editor, and the subconscious mind is the writer. And the joy of writing, when you're writing from your subconscious, is beautiful - it's thrilling. When you're editing, which is your conscious mind, it's like torture.
Memory is the greatest of artists, and effaces from your mind what is unnecessary.
When you're on your own, you have all the self-censorship that everybody has when they try and write. All the little voices that say, 'No, you can't write that, what will they think of that?'
Unless you are in the willingness and ease and ecstasy of some kind of moment, you may end up the editor of your thoughts and of your expressions. I find I'm that way on stage.
The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.
For a long time, I can't say I was one who really enjoyed acting. I was always censoring it, or editing it, or analyzing it, rather than just going with it.
I've puzzled over the difficulty that students have with editing, and I think I've identified its source: It's their self-talk. We all talk to ourselves, inside our heads. That's what consciousness is.
I'm too diplomatic. I tend to edit my mind before I speak - it can be incredibly draining.
I write a lot in my head. The revision goes on internally. It's not spontaneous and it doesn't have a schedule.
