I loved making Pure Country. It was a great learning experience for me, seeing another part of the entertainment industry.
There shouldn't be any censorship on making a film.
The whole process of making 'Bloody Sunday' was difficult but extraordinary.
Make film, shoot film, run film. Do something. Make film. Shoot anything.
I'd have to say the whole experience in making The Neverending Story. I had an incredible time.
I wanted to understand the whole medium and that is when I decided to do television. Once I thought that, I was confident about making a film.
In production, in the first couple of weeks of production, that it was more like making an internet musical.
'Kanaa' is a rare opportunity; it's about women's cricket, and they've trusted me with this film. I trained for nearly four hours every day with three coaches.
Locke' is a different way of making a film as well as being a different sort of film.
I loved watching documentaries and had wanted to try making one for years - I'd just put it off as other opportunities arose. But I felt like time was running out for me if I wanted to do it.
When we made 'Shaun of the Dead,' it was our first feature, and we were just lucky to make a film, full stop.
Ever since I made the short film 'Black And White,' which had almost no dialogues, the idea of making a silent feature film fascinated me.
