Low Stakes Quotes

When you write about sports, you're allowed to engage in mischief. Nothing is at stake.

You do some acting in a room for a few minutes, hopefully get something out of it that makes you a bit better at acting, and go home. Maybe the people in the room with you liked the acting you did. Maybe they didn't! Either way, it's not the end of the world; you'll be doing this again soon.

If a few people decide not to buy my album it's really not going to change my life that much.

We're out here playing a game and I'm not one to take it like super, super serious.

To go and accomplish a dream at 15, it doesn't feel like you have all that much to lose because you're in high school. You're being home schooled. You get to kind of go for it in a different way. Your parents are still in charge.

I have nothing to lose and think that it's a positive thing that I am young and playing on a good level.

When someone is good, but it doesn't seem like their world will collapse if they don't get the part, it's more appealing. It's like dating someone: You don't want someone who's too into you.

In 1982 when I showed up, the average age of the drivers in the series was something like 40, 41. The crowds were small. There was not much prize money. The competition wasn't very tight.

Arts and crafts, or getting to be in a play with people, or making a little short film, that's pure sugar, because the stakes are so low.

I'm not Vegas. Places I play usually cost like $3 to get in, you know, and people are going: Gee, I've got $3, I think I'll throw it away.

'Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.

It's no big deal if I disappoint strangers.

One thing that helps is to give myself permission to write badly. I tell myself that I'm going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I'll have lost nothing-writing and tearing up five pages would leave me no further behind than if I took the day off.

It's much easier for me to make major life, multi-million dollar decisions, than it is to decide on a carpet for my front porch. That's the truth.

They lose least who have least to lose.

I can flirt with the best of them, but only when it doesn't matter.

When you come to documentaries, the stakes are too low for it to be cutthroat. You're all doing it for the right reasons.

There are lots of things that keep me awake at night, but work isn't one of them. I mean, no-one's going to die if someone doesn't like what I do. So I don't feel a great pressure.

I love action movies, and I love comedy, and I love writing comedy, but the genre of action-comedy - or, at least, as it currently usually is - is just not something that I feel that compelled by, generally, because I find the action to be silly, or it's too slapstick, or the stakes feel low because people are joking in the middle of it.

Anybody who likes to play poker, if you want to find a good poker game, you're going to go play. It's not anything where I'm betting the house, like $100,000. You go, kick back, have fun, talk to some of the fans, enjoy it.

The reason academic disputes are so vicious is that so little is at stake.

If I gamble, I go for the lowest-end blackjack or slots. It's because I don't like to lose!

On-screen relationships are the best because you don't have to worry about saying the wrong things. And if the guy's got a girlfriend, or I'm not attracted to him, it's even better. It's just my character kissing his character.

I always knew, since I'm the one making the movie, if I didn't like it, I'd just simply build another set and do it again. I was the one doing it all, so I never really worried about if I didn't like it. I just thought, "Well, if I didn't like it, I'll just do it again! Who cares?"