Literary Empathy Quotes

If literature does one thing, it makes you more empathetic by making you live other lives and feel the pain of others. Ideologues don't feel the pain of others because they haven't imaginatively got under their skins.

I think a fairly common behavior among fiction writers is that they want to help. They're generally charitable people. They're interested in the world. They're curious, they're empathetic. They understand suffering. They don't turn away from that. But what they do is essentially useless. Except for the sake of the thing itself.

Poems give you the lives of others and then circle in on your own inner world.

Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.

Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they said...I'll stand up for you. You're not lone anymore.

It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.

I have seen her and sister cry over a book for an hour together, and they said, they liked the book the better the more it made them cry.

I really believe one of the jobs of a writer is to stretch as far as you can into other voices.

The beauty of literature is you allow readers to see things through other peoples eyes. All good books do this.

My characters are always utterly sympathetic to me.

When a natural discourse paints a passion or an effect, one feels within oneself the truth of what one reads, which was there before, although one did not know it. Hence one is inclined to love him who makes us feel it, for he has not shown us his own riches, but ours. ...such community of intellect that we have with him necessarily inclines the heart to love.

Lemberger's stories are marvelous compounds of scholarship, imagination and empathy. Brought to life with rich historical detail, these biblical women, sidelined and silenced for centuries, prove to be audacious, utterly relatable, and spellbinding companions.

Writing, or at least good writing, is an outgrowth of that urge to use language to communicate complex ideas and experiences between people. And that's true whether you're reading Shakespeare or bad vampire fiction-reading is always an act of empathy. It's always an imagining of what it's like to be someone else.

It is only through literature that one can put oneself in someone else’s shoes and understand the other’s different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them.

A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

Essential characteristic of the really great novelist: a Christ-like, all-embracing compassion.

Literature can train, and exercise, our ability to weep for those who are not us or ours.

I've always had a compassion for characters in novels - the sense that they are, whatever they might think, living in a world that has a shape they don't know and can't finally alter.

The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.

Art and literature have given so many people the relief of feeling connected - pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.

One way poetry connects is across time. . . . Some echo of a writer's physical experience comes into us when we read her poem.