The whole process of getting licenses to broadcast, which took place decades ago, was done behind closed doors by powerful lobbies, and wealthy commercial interests got all the licenses with no public input, no congressional input for that matter.
We need to ensure that everyone's got a path to getting a license, so they've got identification.
There's a gazillion different business license fees. And just keeping up with all the regulations - it just doesn't stop.
The only years [of Donald Trump's] that anybody's ever seen were a couple of years when he had to turn them over to state authorities when he was trying to get a casino license, and they showed he didn't pay any federal income tax.
Obviously, Nevada doesn't prohibit all forms of gambling, but you have to submit yourself to a very rigorous regulatory process to run a gambling operation in Nevada.
In a typical situation, it's going to take pretty close to a year to get your location in, get your permits, and then get open.
So the competition isn't once you got the license, running the station; it's getting the license.
I had full access to the material, and had a great relationship with Sean Bailey, the president of Disney productions. He really guided me through the licensing process of the footage. I made presentations to the various departments at the studio, and they were moved by Owen's [Suskind] story.