Library of Congress Quotes

Kissinger's monopoly on this historical record has driven many scholars to distraction. Groups of lawyers, scholars, journalists and archivists have used pronunciamento, lawsuit, and other crowbars in a usually vain effort to open Kissinger's Library of Congress cache.

I know I'm representing the Library of Congress, all the people of the United States and, of course, the Latinos and Latinas as well.

Librarian of Congress: It's a librarian's dream.

There should not be a micro-managing of terminology with the Library of Congress.

One time, the Library of Congress was giving books to local libraries around the country on Islam. The library of a guy named Walter Jones, who's a member of Congress from North Carolina, got some books and resource materials, and he got up in the press and said he didn't want any Muslim books in the library. And the people said, "Wait a minute, that's kind of anti-Muslim." He said, "Oh no, Keith Ellison is a friend of mine." And I said, "You know what? We are friends, but you're wrong about this.

It isn't that information is exploding, but accessibility is. There's just about as much information this year as there was last year; it's been growing at a steady rate. It's just that now it's so much more accessible because of information technology. The consensus is that a Web crawler could get to a terabyte of publicly accesible HTML. A terabyte is about a million books. the UC Berkeley library has about 8 million books, and the Library of Congress has 20 million books.

When Sondheim was visiting the Library of Congress, where the manuscript of 'Porgy and Bess' is housed, he was so overcome with emotion while holding the score in his hands that he shed a tear. He shed several tears, but one of the tears actually fell onto the original manuscript. And he was horrified.

There are so many items that are not in the copyright domain. And people might not realize the Library of Congress manages the copyright process for the nation.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.

I could not do what I do without the kindness, consideration, resourcefulness and work of librarians, particularly in public libraries... What started me writing history happened because of some curiosity that I had about some photographs I'd seen in the Library of Congress.

I started writing songs in high school, so you had to write this stuff out and register it with the Library of Congress. You had to learn how to do that stuff.

You can go into the Library of Congress and find information on just about anything, but that doesn't do you much good unless you know what you are looking for.

I learned by transcribing songs out of the Library of Congress collection in Washington where I was working. I got a job when I just turned twenty in 1939 and Alan [Lomax] needed some help. I listened to hundreds of records every week.

The goal for me is to be as expansive as possible, and the Library of Congress offers so many resources.

I was working for Alan Lomax in the Library of Congress folk song archive, and starting to realize what a wealth of different kinds of music there was in this country that you never heard on the radio.

My dream was to have a Library of Congress catalogue number, that's all.

I had a moment in the Library of Congress among the presidential papers. I opened a folder, and there was an envelope in it. The front of the envelope was facing the table, so I didn't know what was in it. I opened it and out spilled all this hair. I turned the envelop over and it says, 'Clipped from President Garfield's head on his deathbed.'