Signing bonus? Just give me a contract. I'll sign for free.
When somebody is enthusiastic about a job opportunity - but gives off the feeling that this is not the only one they have on the table - they become more seductive in the employer's eyes. You become more desirable because it shows that you're making a conscious and thoughtful decision for the right reasons.
It's kind of a weird process being pitched by the company you're already with.
I think it's like any other job. If you want an extension as a reporter or a media guy or whatever you want to do, I think you are going to open up your ears to talking about a raise or whatever it might be. I'm in the same position.
I don't know if I want to go to New York. They'll have to pay me a lot more money because I like it here in Kansas City.
In 1962, I had an entry-level reporter's job at an Omaha television station. I had bargained to get a salary of $100 dollars a week because I didn't feel I could tell Meredith's doctor father I was making less.
In a job negotiation, the implementation of that deal is your success that also causes the company to succeed.
When I was deciding whether or not to take the job at Celine, I didn't really look at the history of the house. I had other offers to come back, but they weren't right, or they wouldn't let me stay in London, which was non-negotiable.
From the moment I became a free agent, the WWE opportunity was the one I wanted. Obviously, there were strong plays made by some other companies, but in the end, when WWE offered me an opportunity, I could not turn it down.
When I joined Google, they asked me what title I wanted. I said, 'What about archduke?' They said, 'Well, that didn't meet our nomenclature. Why don't you be our Chief Internet Evangelist?' This was in 2005.
When NBC told me I got the job, I asked, 'Can we do it from New York?' There was just silence on the phone
What you hear and what the research shows is that gentlemen negotiate for their first job. Women do not negotiate from their first job and on. And I tell women there is no H.R. fairy godmother. There might be, but you better not count on it.
Milos said, You're my first choice. From my point of view, that doesn't pay the rent. I said, Tell me what I have to do next because I'm busy painting my kitchen.
'Guyism' wanted a daily video series. They told me they were planning on hiring a girl and then hiring someone to write all her jokes. Then they figured it would be easier just to get me, so they offered me $750 a month to do it, which turned into an offer to move to New York and do it full-time for $30,000 a year.
Mike had called me and said he could offer me less, and I said, "You're on!" Because I was really excited with what Mike Kelly was doing, and now what Cullen Murphy is doing with Atlantic. It's a really cool magazine.
Deal-making goes on with any job.
I made a very conscious decision to quit acting. I was on a series, and we were in the process of renegotiating. They had an idea of what they thought I was worth, and I had an idea that was quite different.
I'm very nervous about taking jobs. I always make sure that, if I'm going to work with somebody, that they really understand what it is that I want to do. I'd rather not take the job than be vague about how I'm going to do something and run into trouble later on. It's a hard thing to negotiate.
Never turn down a job you haven’t been offered.
Galbraith was one of those who received the advice.
I thought I was going to be hired as a contributor, but 'The Daily Show' was like, 'Nah, it's an election year, we want you to come over here and work full-time.'
Salary negotiations shouldn't be limited to just salary. Salary pays your mortgage, but terms build your career.
If Ferrari wanted me, they would have approached me. I want to work with people who want me. If they don't want me, it is no problem.
I know how to read a spreadsheet, I know what I'm worth so I can go into meetings and say, 'I get paid that much, thank you.'