The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.
A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants. A good scientist has freed himself of concepts and keeps his mind open to what is. Thus the Master is available to all people and doesn't reject anyone. He is ready to use all situations and doesn't waste anything. This is called embodying the light. What is a good man but a bad man's teacher? What is a bad man but a good man's job? If you don't understand this, you will get lost, however intelligent you are. It is the great secret.
I think good artists know when they're on a roll, and they recognize when lightning is striking. It's a very fortunate thing to have that inspiration and not to overanalyze it or mess with it; you just follow it if you love what you do.
I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.
We always describe a piece as 'really lively' where it seems the work dances off the paper or the silk. Art has to hit you on an emotional level rather than just the analytical.
Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable.
A good artist lets his intuition lead him wherever it wants.
I feel like I pull inspiration, in general, from how I feel on a day.
Inspiration in Science may have to do with ideas, but not in Art. In art it is in the senses that are instinctively responsive to the medium of expression.
I play like I always used to, with no agenda. And, every once in a while, I will play something I really hadn't thought about or even intended to play. And I'll go, 'Whoa! What was that?'
Is the humanism intuitive or labored over?, the answer is: Yes. It begins intuitively, it becomes the reason for writing the thing, and then it's to be considered and fine-tuned and even calculated.
Although technical discussions are interesting to composers, I suspect that the truly magical and spiritual powers of music arise from deeper levels of our psyche.
I write songs, and I sing them. I never formulated a plan; I can't tell anyone else how to do this. But it feels right, so I just kind of enjoy it and get on with it.
Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words.
I do not know myself how I paint it. I sit down with a white board before the spot that strikes me. I look at what is before my eyes, and say to myself, that white board must become something.
Improvisation, if you play it at the top of your intelligence, leads to a kind of truth that people find really accessible.
I think my type of personality has all music inside of it, so I am full of music, without even knowing it, without even learning it, without even hearing it.
Learn to draw. Try to make your hand so unconsciously adept that it will put down what you feel without your having to think of your hands. Then you can think of the thing before you.
I love the idea of leaving some of the original abstract thought in, because the problem is that when you pick up a pen you become a snob, your own worse critic. You edit yourself in a way that is non-creative.
A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
Music is a gut thing. You're working in a medium which is more in touch with the primal than the modern. A gig is a ritual. There's a congregation.
I did psychology at university, but I wouldn't say that my music is too influenced by it. The way I make music is a little more to do with an emotional connection. When I compose the melodies for my tracks, it always comes from the heart.
Your own music comes out of your head and emotions, but it's not etched in your system.
Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode.
My parents are really, really talented and really good at what they do, so I've always learned from watching them. But their style is something that you can't really learn. They never went to drama school and neither did I.
