It's frightening and exhilarating. It's like combat. Look at the metaphors: You kill when it works; you die when it doesn't.
I was selfish and immature. I never wanted the attention. There were helicopters flying over the hospital while I was giving birth.
When I was 17, I had an experience that I later learned could be called a 'mystical experience.' It was almost violent. No faces, voices, nothing like that. It is like the world burst and flamed into life all around me. That is not a great image, but it is as good as I will ever do.
She kissed me on the mouth. Her mouth tasted like iced coffee and cardamom, and I was overwhelmed by the taste, her hot skin and the smell of unwashed hair. I was confused, but not unwilling. I would have let her do anything to me.
Music, at its very best, is dangerous.
Morello’s music was often very political.
Probably the first time I left Italy was to travel by train to Lourdes. I went with my mother and my grandmother - who was a very religious person - so it was a pilgrimage of sorts. I remember it as a very intense, but beautiful experience.
I don't call myself a method actor, but the thing is, when you meet Reynolds Woodcock, who is always Reynolds Woodcock, you kind of are Alma, and you kind of become Alma all the time. I think after the first day, Vicky was going, 'Oh gosh.' It was so intense, and I couldn't understand why it was so intense.
Teenagers have more intense reading experiences because they've had fewer of them. It's like the first time you fall in love. You have a connection to that first person you fell in love with because it was so intense and unprecedented.
Ecstasy is not simply joy. Ecstasy is an emotion of great complexity that hovers almost on the edge of terror sometimes.
Everything that happens to me, I experience it really intensely. I feel it very deeply.
Music, the knife without a hilt.
The first year or so on The Daily Show is pretty intense in terms of travel. You're going to the worst places in the country, talking to the craziest people in the world.
You can have intense food experience with less food. Europeans have intense food experiences but eat less food.
What we're doing is special and unique in its own way but still keeping it heavy. For me as a listener, part of the journey I'm on with Metallica, there's just a certain edge that needs to be there.
It's a soft-sounding word, 'never,' but its velvety timbre can't hide its sharp edges...Never pressed down on him. It grabbed him by the neck and shook him. He sucked in a deep breath, sucked in all that never and started to sneeze. Never filled his nose, his eyes, his soaking fur.
My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and ending in a sort of super Sophie's Choice. A daring tour de force.
Opera is a very stimulating place to work, and I believe it offers the most intense theatrical experience possible.
Take a ride on heavy metal, it's the only way that you can travel down that road.
I was never more alive than when the Dark Passenger was driving.
Everything I have now is so real, so vivid.
My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.
Working with Marilyn Monroe on The Misfits (1961) nearly gave me a heart attack. I have never been happier when a film ended.
When I feel something, I feel it to the ninth power.
Sex is the best high. It's better than any drug. I want to die making love because it feels so good.
If you've got a great crew it's intense, but its quite short. 'The Elephant Man' was longer than most, for an independent film. That was a 14 week film. But it was because of the intrinsic difficulties. We had to invent a different way of filming, because the makeup was so long. A working day for me with a full makeup on was nineteen hours. So obviously you couldn't do that twice running.