Initial Excitement Quotes

I think for a lot of people, when you're starting something new, everyone is so excited about it.

When everything happens to you when you're so young, you're very lucky, but by the same token, you're never going to have that same feeling again. The first time anything happens to you - your first love, your first success - the second one is never the same.

A new club is like having a new girlfriend – you don't have feelings straight away

Oh yeah, oohing and ahhing, that's how it always starts, but later there's the running and screaming.

The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks.

I have to be absolutely drawn to the project. If you're ashamed or bored by it at the beginning, it's going to be a pretty nightmarish thing.

I was excited by the process of Pandora, which I still think is a decent product. Not as great in actuality as it sounds. After the first hour, its weaknesses start to show up.

When I first stepped into the boxing gym, I loved it. I knew it was what I was going to do.

I can remember when, as a beginner, I was delighted with any ball as long as it would bounce.

You ride in a limousine the first time, it's a big thrill but after that it's just a stupid car.

The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.

When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.

The first accepted piece of writing is the most exciting. No other publishing experience matches it. Perhaps jaundice sets in, or expectations are raised, or one starts to think that one is better than is the truth.

In my experience, not just in shooting films but in the commercials I've done, initially, it's very exciting for the community, and its a real novelty. Very quickly, though, they realize there's a buck to be had, and it becomes annoying, and they lose their patience pretty quick.

The first period of getting famous was incredibly strange to me and really fun at the beginning because you didn't realise the consequences of anything. You could say or do whatever you wanted and it just didn't matter.

Everyone has to suffer the gimmicks and other stunts and machinations when they're starting out - only at the time, it doesn't feel like suffering; it's fun and different then. But a little fame goes a long way, and then one tries to cast off part of the heavy burden - a burden one can never totally escape.

So much of the downstream revenue is linked to that initial excitement, to how much revenue is produced in the domestic box office. For example, what we pay for a film three years later is highly correlated to how well it did in the box office.

When I was little, I always got so excited about learning - until I got to the actual learning part of learning.

When you work on a film, it's important to feel that you are starting afresh and doing it for the first time. Also, it's important to have those butterflies in your stomach; you need to wonder how you are going to approach the character and whether you will be able to do justice to the part.

I knew right away that it was a gorgeous idea.

My emotions are strong when I start the season.

Later on when it became a routine it was not as exciting I'll admit that. The first three years were wonderful, the rest were just money making and having fun.

Success soon palls. The joyous time is when the breeze first strikes your sails, and the waters rustle under your bows.

There is something incomparably thrilling in first opening a brand new book.

I don't really have a bad premiere experience. They're exciting at first. I think, when you first get into the business, you're excited about going down the line and seeing what that's like.