Industry Uncertainty Quotes

I like to work; I like to be creative. I work in the entertainment industry where work may come up, and it may not, so I wanted to do something proactive. I've got a brain; I don't want to just sit at home - I want to do as much as I can.

The greatest threat we've had to economic growth has been that those in industry don't know what is expected of them. Rules come that are outside of statutes. Rules get changed midway. It creates vast uncertainty and paralysis, and re-establishing a vigorous commitment to rule of law is going to help a lot.

I've gone far in the movie business, but no matter how far I go, every time I pick up the phone to call Tom Hanks or Robin Williams, I wonder if they'll call me back. And you know what? Sometimes they do, and sometimes they don't.

I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.

I like to take things one step at a time, because the entertainment industry is very uncertain.

There's, what, 300 films at the Telluride or Toronto or something. How many are those people gonna see? How many of those are actually gonna be in a theater, you know? You know, as an actor, I mean, I learned a long time ago that the fulfillment in this business is the doing of it because you can't rely on anything coming out.

I was never the ingenue, so hopefully that'll make it easier to age and still work. I know a lot of actors who are really dissatisfied with where they're at even though some of them are huge stars and I feel like, 'Oh, my God, you're at the top.' Something interesting will come. It always does. I have faith.

When I started off in England, HMV or Tower Records would come to meetings and be, like, 'We just don't know what this genre is.' I don't really fit in between Rihanna and Beyonce.

I don't want to be in the film business. I'm not even sure it's a business.

This is a fickle industry. Here today, gone tomorrow. I don't want to spend all the time reflecting. I want to spend it doing.

I think in certain areas the demand is greater than it has ever been, and my business is better than it's been in 30 years. The music business is so precarious, as you know-you've got to make it while you can make it, and that's exactly what we're doing.

I'm definitely scared about newspapers. The problem is nobody wants to catch a falling knife, and nobody knows where things will stabilise. The value of newspapers has dropped significantly. I think we still have more pain to be felt.

When we were making The Fugitive, we all thought it was going to bomb.

Pilots get made, and they don't go to series. Stuff gets written and never gets made. I've tried to develop stuff that never went. It comes and it goes. It's a part of the process.

I think if you get your fifth script made, that's the fast track. But there's no guarantee any of them will get made.

Everybody that's an actor leaves it for a while 'cause they ain't got a job.

I was signed by L.A. Reid on Arista Records when I was 16. He understood me and believed in me. Arista folded and I got put on RCA or whatever, then there were new people there, and every six months it changes and more new people come in.

There are obviously peaks and valleys in everyone's career. This business can be a roller-coaster ride, and it's really hard to stay on top all the time. Very few people do.

I can promote until I am blue in the face, but ultimately nobody knows what makes a hit.

You don't take a job in acting at all expecting 25 years in and a pension.

You never really know who you're going to be acting with, but that doesn't really matter. 99% of the actors I've worked with, and they number in the thousands, I've liked.

You never know how things work and what exactly is going to grab an audience. Sometimes even the best material and the best collection of people interpreting that material just for some reason doesn't fly with people. There are a lot of TV shows or movies that maybe aren't as good as others that do work when it comes to finding an audience. It's a mystery, that whole thing. If somebody figured it out, this would be quite a great industry.

I could do a thousand films that are easy for me to do-that's if I don't fall in the next year, because everyone's about to fall. What's so funny is you look at all us young guys and we're already thinking, Well, I'm going to branch out into directing, and it's all going to be this and that.

I told myself a while back, 'Love what you do, but don't fall in love with what you do.' That way you won't be brokenhearted if ever it gets canceled five episodes in - which has happened to me.

I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.