I found Rome built of bricks; I leave her clothed in marble.
Augustus was a great builder and patron of the arts.
I have not become the King's First Minister in order to preside over the liquidation of the British Empire.
This [American] empire will not last. No empire does. If empires lasted, the whole world would be speaking ancient Persian today.
How is the Empire?
Let Rome’s art tell the empire’s story.
As a Nationalist, I do not regard as entirely palatable the idea that forever and a day Ireland's voice should be excluded from the councils of an empire which the genius and valor of her sons have done so much to build up and of which she is to remain
Teaching the history of the British Empire links in with that of the world: for better and for worse, the Empire made us what we are, forming our national identity. A country that does not understand its own history is unlikely to respect that of others.
When I was a girl, the idea that the British Empire could ever end was absolutely inconceivable. And it just disappeared, like all the other empires. You know, when people talk about the British Empire, they always forget that all the European countries had empires.
I am Emperor, my descendants will be numerous. From the second generation to the ten thousandth, my line will not end.
'Captives' was a deliberate bridging exercise, an attempt to use detailed knowledge of what Britain was like on the inside, to reach a deeper, more variegated understanding of how its peoples experienced external adventures and aggression over a quarter of a millennium in four continents.
I first read the 'Raj Quartet' in the early 1970s, when Paul Scott's decision to set his novels in the dying days of the British Raj in India seemed an eccentric choice, almost as though he did not want readers. The British were tired of their imperial past.
You know, when I was a girl, the idea that the British Empire could ever end was absolutely inconceivable. And it just disappeared, like all the other empires.
The jury is still out, and may always be out over whether the Britain benefited from the Empire or not.
Any book on empire will omit, by necessity, vast tracts of the imperial experience, and so critics can easily find facts and details to contradict an author's bold generalisations.
In the span of a human lifetime, and well within the collective memory, Britain went from a stable imperial power ruling an appreciable fraction of the Earth's surface to being a tumultuous patchwork which was at least superficially in decline.
The main motivation was to explore the empire's falling. I mean 'Duck City' is like an allegory for the Western Empire or the United States. And I was thinking what happens when it falls and declines like the Roman Empire.
The foundations of empire are often occasions of woe; their dismemberment, always.
When Western civilization invaded the Near and Far East and what is now called the Third World it imposed its own ideas of a proper environment and a rewarding life. Doing this, it disrupted the delicate patterns of adaptation and created problems that had not existed before.
Even modern English people are imperious, superior, ridden by class. All of the hypocrisy and the difficulties that are endemic in being British also make it an incredibly fertile place culturally. A brilliant place to live. Sad but true.
From imperial, economic and ideological causes, many cultures are the inheritors, and hence the prisoners, of attitudes of scorn and disdain for other faiths – outlooks which are not ennobling to anyone.
Turkey, as an ex-imperial power, is all in favor of empires guaranteeing law and order on its borders. Turkey's and America's basic interests with regard to Iraq are identical. They both want a stable and rational Iraq that would use its considerable oil wealth in order to improve its own lot. But there doesn't seem to be very much prospect of that at the moment.
Both Iraq and Syria are a fissile mixture of ethnicities and religions thrown together after Versailles by departing French and British imperialists and only kept together by Baathist tyranny and violence.
The Japanese covet important symbols - their heroic past as enshrined in Yasukuni, the Imperial family which has never been sullied by scandal.
The darkest aspects of imperialism are still very much prevalent in many cultures around the world; hundreds of years later, and we have a collective responsibility to encounter the deeds of our past.
Not only the priceless heritage of our fathers, of our seamen, of our Empire builders is being thrown away in a war that serves no British interests - but our alliance leader Stalin dreams of nothing but the destruction of that heritage of our fathers?