Hollywood Rejection Quotes

I did 'Mala Noche' as a way to do something that was outside of the system, because I was outside of the system, and I deliberately chose material that Hollywood wouldn't touch in a million years.

I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.

I consider my relationship with acting in Hollywood as sort of a mutual breakup. Through puberty, Hollywood didn't really want me anymore, and I was like, 'Yeah, I don't really want you, either.'

I can go to my premiere at the Chinese Theatre, and everyone will know me, and everyone will cater to me. And then I'll go to an audition and get rejected left, right and centre. They don't watch my videos, and they don't really know who I am. It is like starting from scratch when it comes to traditional Hollywood.

For a woman to direct a movie in Hollywood, she has to go through so many layers of rejection by the powers that be - I suppose including myself - that it is harder to get to that point. So you can't just create something. And I think there is a whole unconscious mountain.

I am fairly embraced by the Hollywood community, and I love making movies and I love acting, but I'm not real crazy about the Hollywood system. So the fact that they embrace me is a shock to me because I tell them to kiss my ass all the time. I don't understand why they haven't thrown me out on my ear. The other thing is I don't participate much. I have very few friends within the movie community. I hang out with some guys I've known forever. They're all broke and eat me out of house and home. But I stay home mostly and I don't go to the parties. Maybe that preserves me.

Anonymity is a wonderful thing if you can hang on to it. I live in Pasadena where we try to keep the movie people out. We discourage them from moving in our neighborhood and if they do we burn effigies on their lawns.

I serve and answer to the Texans I represent - not the Hollywood elite.

When you're a failure in Hollywood, that's like starving to death outside a banquet hall, with smells of filet mignon driving you crazy.

I got the 'Stranger Things' script, like, a week before NBC canceled 'State of Affairs.' I really had this moment where I'm like, 'I'm done.' My neuroses is very sophisticated: I was like, 'I am done. Hollywood is done with David Harbour. They are finished.'

I studied really hard. But Hollywood never appreciated my talent.

Despite offers, I have never felt the urge to try to make it in Hollywood.

I really want to do something in Europe. With a small movie, it can be an interesting challenge. But I have to get the right project. I don't think it's so important to go to Hollywood. All that trash that comes out of there! I don't want to do that.

The nice thing about building up your own studio is if Hollywood decides to hate faith-based films, it doesn't matter to us. We have an audience and continue to serve that audience.

I was not the first choice for Veronica in Heathers. I auditioned and they were like, "Oh, thanks." And I went to the Beverly Center to Macy's and had them do a makeover on me. I went back because I kind of knew that they thought I wasn't pretty enough. They were trying to get Jennifer Connelly.

On Hollywood turning its back on him: I wasn't in the club. You see, I'm not going to be a stroker. I never have been all my life.