I'd done the method bit before from, like, age 15 to 19. I was a Civil War re-enactor.
I don't think a movie today that captured all the things that we did in the seventies could come close, because it's like asking to recreate the seventies and the audience sensibilities and that's impossible.
One can re-create what was in the mind of a mathematician a thousand years ago, recapture the truth of the intellect wherever it may have once come to light; but the image of art, that infinite variable of perception and expression in the individual, - that is not easily re-created, at least, not with certainty and in its original fulness.
Out of the fictitious book I get the expression of the life, of the times, of the manners, of the merriment, of the dress, the pleasure, the laughter, the ridicules of society. The old times live again. Can the heaviest historian do more for me?
I used to do Civil War re-enacting between the ages of 15 and 19. I was part of a unit that was considered very authentic. We would source the right wools, the right buttons for the costumes. We had the right look.
I think the culture of Civil War re-enacting is also incredibly fascinating.
Writing of history is our only heuristic principle. The Germans have a word for it, einfühlen. It is the ability to experience the past in the present and to recreate it. In my books, I have tried to recreate it in the most natural way possible: History must be integrated into the story without the weight of premonition.
I just write the sort of book that I would enjoy reading myself, a book that is both scholarly and recreates the experience of people at that time.
What could be more fitting - or more exciting - than to restage Shakespeare's plays on the very spot where they were first performed, in the shape and style of theater for which they were written?
The BBC TV programme 'Back In Time For Dinner' doesn't just have one of the cleverest titles ever. It is a more-than-usually-serious attempt to recreate the recent past, the day before yesterday.
It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
Occasionally, a re-enactment is a fine thing. I love Civil War re-enactments.
I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.
