Every night on the court I give my all, and if I'm not giving 100 percent, I criticize myself.
You have to give 100 percent in the Champions League, as you're up against the biggest teams.
Putting together two powerful sets is always difficult. After you really pour it out one night, it's hard to pour it out the next night.
If we want to fight at the end of the season for big things and to lift trophies, you need to keep that intensity always.
But my observation has been, certainly in the news business, you've got to give 110 percent.
I'm a beast when it comes to anything. I believe in givin' one-hundred-ten percent, anything I do.
You have to give 110% all the time. 100% isn't good enough anymore.
I go without sleep, I just go hard.
I give 150%. I'm a professional, a pro.
When you are in my classroom, you get everything from me. But you bloody well better give everything too.
I'm the performer of the group. My thing is like, every time I come on stage, I always bring it 120 percent, 150 percent.
I'm about business. I'm going to handle business like a professional. Aside from that, I'm going to give you everything I've got on every snap.
I have always given 100 per cent, power and performance.
I think that when NASA works on a moon shot, they know too well that all of the people working on it must do their job at 110 percent. Sometimes they probably put in 18 hour days, but they're aiming for the moon, and that's what counts.
When actors first come up, you're auditioning for everything - you're trying to sniff it out like a pig with a truffle and you would do anything!
I work so hard and so many hours, and I've done that for years and years and years.
People in theatre work harder than anyone in the world - as far as I'm concerned - as far as sheer output of energy and the rigor and excellence that they maintain doing something every day, or twice a day.
Jump high and hard with intention and heart.
There's just something awesome about going all-out for 20 seconds and then stopping and getting to guzzle Pedialyte.
We have to do everything a hundred and ten percent when we're doing it. If we're on tour, we're constantly thinking of different ways to make the show better, or whatever it is.
I've been studying, playing, living, breathing poker for eight to nine hours a day. Every day! When I'm between events and in New York, I'm reading, watching videos or live-streaming very good players.
Directing is a huge amount of work with very little payoff, and a quarter of the money, and nine times more time spent.
There's no such thing as putting extra effort in on one day than the other. Every single day is a lot of effort, usually maximum effort every day.
As an assistant, you are grinding it out and churning out work like there are not enough hours in the day, really. As a head coach, you are doing similar.
I face every project the same way - do it right and give 110%. 100% isn't good enough.
