Heavy Themes Quotes

Is the opposite of light entertainment meant to be dark and heavy?

I would definitely welcome lighter material, but I like to be where the truth lies.

When I listen to music, I don't want to hear about flowers. I like death and destruction.

It's very hard to deal with true subject matter, especially when you're writing about such weighty issues.

My first film was a comedy, but after that I went always into more heavier stuff.

I like hard movies; I like ones that are basically the opposite of a date movie.

Obviously, I'm attracted to heavier movies.

I do like to write about dark subjects.

We don't like preaching, we don't like love songs, we don't like fun songs. We just like the dark side.

For me, the majority of my music is really dark and to the point.

At a time when every series we're supposed to be DVR-ing is very important, very serious, has to do with heavy, heavy matters, I think 'Wet Hot' provides a respite to that DVR homework. It's totally the gummy bears of your programming.

Some movies are entirely too heavy, and some movies have no meat in them.

'South Pacific' has a definite heaviness that people don't realize. It's got a seriousness and a message.

Just as an audience member, I've always preferred dark things and very heavy, emotional things.

I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.

I'm excited to see a new age of rom-coms, and especially teen romantic comedies, because when I was younger, I was watching 'Harry Potter' and 'Hunger Games' and stuff like that. I loved those movies, but they are a little bit heavy. We didn't really get to have the lighthearted love stories.

I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release.

I'm drawn to dark characters, and to things that are really weighty.

People always accuse me of making these dark, depressing movies. 'Why do you have to pick up on real issues? People are so exhausted and miserable.'

I think that complicated, nuanced, deep, heavy - that's the place to go. That's what makes a great show. That's what all of us deal with in life.

I don't think German films have to be heavy or intellectual the way they sometimes used to be.

Even though the topic [of slavery] itself is the big, screaming elephant in the room, we still get a chance to have fun and enjoy what is on the screen, and we have moments where we're actually happy.