Harmonious Blend Quotes

I like to be wild in passion and calculated in expression! I'm both. I like to be wild in passion more. But I think the balance is what's essential.

I love well-designed products that combine form and functionality.

To achieve harmony in bad taste is the height of elegance.

You always want to write the perfect song. But no one will ever write the perfect song, I guess. I would just like to write on that has all the elements of what I'm tring to do. And I'm working on it. I'm always working on it.

I love music. I do play. It's like mathematics, and it's also emotional. It's nice to play, for no other reason than just to play.

I also thought the music was a huge contribution, in terms of creating the scale of that. And, I was impressed with just how natural and fluid the world looks. The world is so artificial and it requires so much work to make all the different pieces add up together, but when it comes together, it just looks effortless. It's amazing.

Music and herb go together. It's been a long time now I smoke herb. From 1960's, when I first start singing.

I can sing fine and I can play guitar fine, but put 'em together and it becomes a thoughtful effort.

The thing with Joy Division's music is that each member was playing like a separate line. We hardly ever played together; we all played separately. But when you put it together, it was like the ingredients in a cake.

It is hard to think of another composer who so perfectly marries form and passion.

Love without laughter can be grim and oppressive. Laughter without love can be derisive and venomous. Together they make for greatness of spirit.

Everything we care about lies somewhere in the middle, where pattern and randomness interlace.

Poetry dovetails contradictions.

My music sounds like one synergised thing, one message.

You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].

Music is the soundtrack of our lives, it's essential for our lives.

I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.

Avoid connecting yourself with characters whose good and bad sides are unmixed and have not fermented together; they resemble vials of vinegar and oil; or palletts set with colors; they are either excellent at home and insufferable abroad, or intolerable within doors and excellent in public; they are unfit for friendship, merely because their stamina, their ingredients of character are too single, too much apart; let them be finely ground up with each other, and they are incomparable.

The fact of the matter is that all true artistes are androgynous by nature, the yin and yang perfectly balanced.

I love the English aesthetic; in a way, I feel it is close to my own, a beautiful chaos; it is a powerful mix of the past and the present.

That's a sound design thing but then we wanted to do music that would not disturb it and at the same time drive it.

So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.

I love the idea of modern art in a home that isn't totally modern. There's a certain energy that comes out of that juxtaposition.

Music, the mosaic of the air.