We say it’s a modern American Western - two gunslingers who ride into town, fight the bad guys, kiss the girl and ride out into the sunset again. And we were always talking from the very beginning that if you’re going to have cowboys, they need a trusty horse. —Eric Kripke on the decision to add the Impala
I think you're going to find out that westerns will be coming back. It's Americana, it's part of our history, the cowboy, the cattle drive, the sheriff, the fight for law, order and justice. Justice will always prevail as far as I'm concerned.
I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.
Put 'Cowboy' on every card. I'd be ready to go.
I wrote 'Young Guns' on spec because I really believed that the young age of these guys historically, the whole legend of Billy dying at 21, would attract a young staple of stars, and that would be the game-changer.
Cowboy movies aren't supposed to be in vogue. I still like them. You know, I'm still out there pitching the hell out of them.
If I could just make Westerns for the rest of my life, that's all I would do. It's my favorite movie to make. There's something about being a cowboy.
I know these days it sounds a little odd, but American governments are very fearful of European reaction. They were afraid we would be considered gunslingers.
'The Sisters Brothers' started out as a little bit of dialogue between these two men who became Eli and Charlie Sisters.
When people think of the West, it's easy to envision wagon trains, Buffalo Bill, the glory days of the Gold Rush. Cowboy hats come to mind.
Audiences trust Westerns when you hit the right tone. I think they're not in vogue, but they will always be in vogue when you hit the right note.
I've always wanted to do a Western.
I never dreamed I would do Westerns.
The Wild West attracts cowboys. A sheriff is a good thing.
