I know Pentatonix. I knew them before they were even a group.
I grew up in a weird environment. My mother's head of the home video division, basically. She played a big role in the invention of DVD - she won an Emmy for it. Or rather, she's part of a group that won an Emmy for it.
Rewards should go to teams as a whole.
I think partly the problem with Yes - and I've had this discussion with people from the Hall of Fame in the past - is that it's going to be difficult to decide how many of the members of Yes you're gonna put in it and how many you're not because of the extensive membership of the band through the years.
If you ask me who the members of the Rolling Stones or Led Zep or the Clash were, I'd be able to tell you every member. But I couldn't name a single member of Arctic Monkeys.
It's all about team accolades.
Slowly but surely, people don't see 'Popstars: The Rivals,' they see Girls Aloud. We're a band in our own right.
None of Girls' Generation would be possible without the fans.
Everybody can dig The Beatles, but why should everybody dig us?
Ticket balancing, or United Nations politics, as it is sometimes called, is perhaps symbolic of the ultimate step in the process of granting group recognition and confirming the fact that something approaching intergroup equality has been achieved.
